Posts in The Nostalgia Trap
Returning to Zero: On Returning to What You Once Loved (The Nostalgia Trap, part 8)

Replaying this game is, essentially, a reunion with the person I was when I first encountered it. The problem is that I don’t really care about who I was at that point in time. I can’t change the past, and I can’t regain any sort of meaning from hanging out with a fourth-grader. It’s not that returning to it is an unpleasant experience, it’s that I feel I’ve scraped just about everything out of this piece of media that I can get.

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The Hollow Shell at the End of Nostalgia: On the End of the Star Wars Saga (The Nostalgia Trap, Part 7)

Star Wars was always going to be one of the cultural artifacts we touch upon in the “nostalgia trap” series. It’s an active cultural institution, and one that it looked like you could set your watch by fairly recently – the future of Star Wars on film is, of course, up in the air after Solo, which was a perfectly fine movie released just a month after an Avengers movie, and thus did poorly. But Lucasfilm has only ever done Nostalgia pieces. Getting angry at Star Wars for nostalgia is like getting angry at Star Trek for being utopian.

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This Loser is You: On Ackk Studio’s YIIK (The Nostalgia Trap, part 6)

YIIK very much wanted to be a new version of Earthbound, the seminal 16-bit RPG that was essentially John Carpenter’s Peanuts, mixed with Bryan Lee O’Malley’s Scott Pilgrim series. It has the same quality of self-consciously blasé psychedelia, but can’t seem to match the thematic weight of its source material.

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Confluences: The Nostalgia Trap, pt. 5

It was V. that brought me to Thrice, actually, and not the other way around. I distinctly remember having read V. already, and then, not that long after, being in a Wal-Mart in Bedford, PA and seeing Vheissu, their then-most recent album. I was stunned to see such an obvious reference to a novel I had first heard about from my father, who basically only remembered chapter 3, in which a character named Stencil does several “impressions” of not-himself, with each section of the chapter narrated by the person he’s pretending to be at the time. Also there’s like, robot secret agents or something, and everyone’s in Cairo in the late 19th century.

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Why Are We Haunted by the 1980s?: Stranger Things and the Notalgia Trap

We talk about nostalgia a lot, so it's inevitable that we have to talk about Stranger Things. Full disclosure, Edgar and I enjoyed the first few seasons, and despite reservations we are also enjoying the third one. Those reservations are fairly strong, though. Some people have said that this is the best season yet. We politely but firmly disagree.

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