There’s something there – something in the use of representational art works and artists in a genre virtually defined by the unrepresentable quality of its subjects – but where are we?
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This makes cosmic horror an interesting genre – what we are looking for in it is something that we tend not to think of as anywhere near desirable: we are looking for someone to assure us that an individual person’s life doesn’t matter. This is not simply a way of understanding cosmic horror, but a way of using cosmic horror as a lens through which to read other events.
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