The root of this, I believe, lies in the privileging of “realism” over other modes of expression in aesthetics. By this, I mean the idea that art is supposed to be a mimetic reproduction of things that would “really happen”. Leaving aside, of course, the number of really-occurring events that get you treated as insane if you acknowledge.
Read MoreThere’s something there – something in the use of representational art works and artists in a genre virtually defined by the unrepresentable quality of its subjects – but where are we?
Read MoreI’ve been struggling with it, myself. I have to ask: how do we keep the forward momentum on our projects when we have to rent our bodies for hours every day just to keep hot food in our bellies and a roof over our heads?
Read MoreHis various projects and ephemeral works — his words — blend the numenous, confrontational, personal, and natural in a way that is extremely compelling: numenous like a gathering of crows, confrontational like a landscape.
Read MoreSunday morning, Edgar sent me an article entitled “Grimes Responds To Zola Jesus Calling Her 'The Voice Of Silicon Fascist Privilege'” from Stereogum (a website I’ve never read anything off of, to tell the truth.) They sent me this article, because they know that I can’t resist reading something that I know will make me angry, especially in the morning because coffee is losing its edge and sometimes you need a shot of fight-or-flight to feel like a real human.
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